The internationally renowned British architect puts substance before image, and isn't interested in a building's iconic presence on a skyline. 'How many squiggles can a city take?' he once asked. He has been described as classical, minimalist, simple, but if there is a word he would like to apply to his architecture, it is 'humane'. 　　Alan Yentob talks to Chipperfield about his breakthrough in Berlin, his love of the city and its history and the 11 years spent on the transformation of the Neues Museum, his 'masterpiece'. After successes at the Hepworth Gallery, Wakefield, and Turner Contemporary Margate, he is now embarking on his most prestigious project ever, a new gallery for the Metropolitan Museum of Art in New York.

A therapy session goes off the rails.

A therapy session goes off the rails.

A retelling of the biblical story of David versus Goliath.

On year 2094, Commander James is on mission above Mars' Surface to scanning it to make a complete map of the planet. One of his two robots, D.O.R. (Discovery Optical Relay), makes a lonely journey to explore a distant mountains when it detects a strange movement of stones from the top. After D.O.R. turns off mysteriously, Commander James and the other rover R.E.X. (Relations Experiment Explorer) goes to the place where D.O.R.'s signal gave its last location. After to finding D.O.R. totally destroyed, Commander James actives his video feed to discover what D.O.R. saw just before to be destroyed, but in this moment and unknown for him, R.E.X. detects movement on a close cavern and it enters to investigate.

我们都有对美好的向往，但又身处在痛苦的漩涡。沉迷于幻想，总是绊倒在自己无法突破的那道坎。而我们的身体行动都是诚实，无法预测又极度真实的。所以我想用舞蹈与肢体行动来表达那些无法言说的情绪。

Shortly after comic artist Adam responds to Internet trolls, he begins experiencing sleep paralysis. As he chronicles increasingly malevolent occurrences in a series of tweets, Adam begins to believe he is being haunted by the ghost of a dead child named David.

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One of Lipsett's many found-footage films (films made up of footage 'sampled' from other films) this short uses a fairly abstract montage of shots to comment on the isolation and alienation of the modern man (1964 modern) in a mechanised society. the individual footage itself is quite amazing and the overall effect of the montage leaves one with a definate sense of unease. apparently george lucas saw this in film school and was inspired to make THX-1138. a premium example of the new hollywood film makers of the 70's technique of adapting highly experimental avant-garde films into their own relatively conventional narrative structures (see also Blow-up into Blow-out)

父女俩一起重生也太犯规了吧！！！